Performer in the project Devenir Imperceptible. (2021)

A piece for one performer-dancer, twelve bird calls, two piezoelectric microphones, a note reservoir in the form of recycled organ pipes, and one thousand five hundred liters of pine bark.
Devenir Imperceptible is first and foremost a sensitive experience revolving around the idea of landscape and, more specifically, soundscape.
A fantasized landscape that transforms on sight, a soundscape that gradually becomes the scenography, the place itself, the geography. The potential fables are multiple: trying to speak bird, trying to blend into the landscape, disappearing into it, hesitating between sight and sound, dancing.
Devenir Imperceptible is a minimal landscape piece in which sound constantly challenges our perception.