Anatomia is a piano recital and exhibition. Franz Liszt’s Funérailles, a virtuoso romantic piece composed in memory of three friends who fell during the Hungarian revolution of 1848, is performed. It’s then that the world-instrument opens up, as if to let us see the music through it. In the darkness of a concert hall turned anatomical theater, we now witness a surreal scene. The piano is dissected, deconstructed, dismembered. Still resonant, its organs suspended in space seem endowed with life. In the manner of science fiction, we have shrunk to penetrate the mazes of the instrument, while our listening has widened and melted into the details of the sonic tableau.